Getting the Call
Q: How do you get the assignment in the first place?
Jack: I get a call from Gwen's personal assistant. Gwen is the head of background casting.
Q: What time do you need to report?
Jack: I'm called at various times. I like to get there early, though. They have a dressing room for us – all the male extras in one room and females in another. Before coming in, they tell you what clothes they want. If it's a scene in the MetroCourt, a suit and tie; if it's Jake's, jeans and a casual shirt; a party, formal wear. So the first thing I do is check in with wardrobe. The people there look at my clothes, and if you don't have quite what they're looking for, they're happy to pull from the wardrobe they have on hand. After that, you check with the stage manager and wait until your call time.
Q: Generally, how many other extras work on the show?
Jack: Depending on what they need, there could be anywhere from 1-5 or even 10 extras.
Q: What sets have you been on?
I've basically worked at the MetroCourt Café and Kelly's. The set-up they have there is extremely efficient. All the sets are back to back, on one huge sound stage. It looks like a shopping center – a mall with stores on both sides, and you walk straight down the center. The rooms are all good sized, approximately 20 x 15 square feet, maybe 25 x 20 square feet each, though they look even bigger on TV. They can move easily from set to set that way.
If they do five scenes at Kelly's, for instance, they do them all at once but chronologically. There's a TV above the set on the rafters where the lights are so you can keep track of what's going on.
Q: So when you first come onto the set, what's going on?
Jack: For the most part, the director is behind the camera talking to actors and setting up shots. They rehearse doing the camera setups on their own, usually book (script) in hand. Then they will block the scene a couple of times.
Q: Are the lines on a prompter?
Jack: Nobody uses a prompter there. Every once in a while, someone forgets his or her lines. But some of them have been on the show for so many years, they get into a rhythm going, and if they lose it because of a line change or forgetting a line, they may need a take or two to get the rhythm back. Sometimes somebody changes a line because when they act it out, it sounds off. They will shoot ideas back and forth. The actors know their characters so well, they know when something doesn't sound right. There are always scripts on set. Everyone has a script in hand until action is called, and they rehearse up until they call action.
Q: How often do they repeat a scene?
Jack: Sometimes two or three times, four at the most. A lot of times, that's for coverage; they want to give the editor options. They have four cameras going, too. The stage manager speaks over a loudspeaker, kind of a disembodied voice.
Q: I've been surprised when I've seen the actors in person; some of them look taller on TV or are even better looking. What are your observations about that sort of thing?
Jack: Most of the women, I can't believe how thin they are. They don't look sick, they all look very healthy, and they keep fit. When they say the camera adds ten pounds, it really does. The show has a weight room on the floor below. The actors use it, and we can use it.
Sarah Brown (Claudia) is even prettier in real life. The woman who plays Elizabeth – Becky? I was blown away when I first saw her. She's so beautiful. I got to see her do a scene, and what an actress! I said that to the stage manager. He agreed. She's so natural, you can't even tell she's acting, and she has so much emotion.
Q: How does the makeup look?
Jack: Quite reasonable. Pretty natural.
Q: Have you spoken with any of the actors?
Jack: I try to stay out of the way. But everyone is very approachable. When I first went to the set, the people in charge were very welcoming. They tell you to go behind the camera and check it out.
I've talked to Stephen Macht (Trevor). He is such a cool guy, a wealth of information. He's real down to earth, and he's had lots of experience in the business. You might be put off by him because he plays such a hard character, but he's one of the boys. Spinelli –(Bradford Anderson) is a nice guy, too, real nice. Do you know why he talks like that? (information is given about the character of Spinelli). He (Anderson) doesn't say too much, but even when he's hurrying to his dressing room, he takes time to wave or smile. When you pass people in the hall, they say hello and smile.
Steve Burton (Jason) is a good guy. I've seen him working out at the gym. Sonny and Carly (Maurice Benard and Laura Wright) joke around between takes. They have a great rapport. The few times I've worked around Sonny, he jokes around with everybody, but gets his work done. Tony (Geary, Luke Spencer) is very friendly. He doesn't get excited about much. He's serious, but he has a dry sense of humor – a very quick humor. I've had a chance to watch Josh Duhon (Logan) and Julie Berman (Lulu) do scenes, and they really work well together.